CAL TJADER Tjader Plays Mambo 1956 Fantasy Mono LP 3221 Red w/Inner

Description: CAL TJADER Tjader Plays Mambo 1956 Fantasy Mono LP 3221 Red w/Inner Archival sleeveThis is another early Tjader Latin Jazz winner I wish side 2 was in better shape Having finished his tenure with George Shearing in 1954, a thoroughly Latin-inoculated Cal Tjader took off on his own, recording several short slices of infectious Latin jazz, from which a dozen were selected for this album. Many of the selections are standards retrofitted with percolating Latin rhythms, cut and shaped to fit the old three-minute limit of 45 or 78 rpm singles. Tjader's crystalline vibes are teamed with a San Francisco Latin percussion section that lays down the grooves crisply and succinctly, with an occasional emulation of the more laid-back Shearing Latin sound ("East of the Sun"). Elsewhere, Cal experiments with a hot four-man trumpet section on four of the tracks, the best of which is a rhumba version of "Fascinating Rhythm." The earliest Tjader-led recording of "Guarachi Guaro" (later known as "Soul Sauce") is also included here. These seminal tracks helped launch the Cal Tjader Latin jazz style, and they still sound fresher than many other such historical landmarks. Callen Radcliffe Tjader Jr. (July 16, 1925 – May 5, 1982) was an American Latin Jazz musician, often described as the most successful non-Latino Latin musician. He explored other jazz idioms, especially small group modern jazz, even as he continued to perform music of Africa, the Caribbean and Latin America.Tjader soon quit Shearing after a gig at the San Francisco jazz club the Blackhawk. In April 1954, he formed the Cal Tjader Modern Mambo Quintet. The members were brothers Manuel Duran and Carlos Duran on piano and bass respectively, Benny Velarde on timbales, bongos, and congas, and Edgard Rosales on congas (Luis Miranda replaced Rosales after the first year). Back in San Francisco and recording for Fantasy Records, the group produced several albums in rapid succession, including Mambo with Tjader.The Mambo craze reached its pitch in the late 1950s, a boon to Tjader's career. Unlike the exotica of Martin Denny and Les Baxter, music billed as "impressions of" Oceania (and other locales), Tjader's bands featured seasoned Cuban players and top-notch jazz talent conversant in both idioms. He cut several notable straight-ahead jazz albums for Fantasy using various group names, most notably the Cal Tjader Quartet (composed of bassist Gene Wright, drummer Al Torre, and pianist Vince Guaraldi). Tjader is sometimes lumped in as part of the West Coast (or "cool") jazz sound, although his rhythms and tempos (both Latin and bebop) had little in common with the work of Los Angeles jazzmen Gerry Mulligan, Chet Baker, or Art Pepper.Tjader and his band opened the second Monterey Jazz Festival in 1959 with an acclaimed "preview" concert. The first festival had suffered financially. Tjader is credited with bringing in big ticket sales for the second and saving the landmark festival before it had even really started. The Modern Mambo Quintet disbanded within a couple of years. Tjader formed several more small-combo bands, playing regularly at such San Francisco jazz clubs as the BlackhawkTjader played the vibraphone primarily, and was accomplished on the drums, bongos, congas, timbales, and the piano. He worked with many musicians from several cultures. He is often linked to the development of Latin rock and acid jazz. Although fusing Jazz with Latin music is often categorized as "Latin Jazz", Tjader's works swung freely between both styles. His Grammy award in 1980 for his album La Onda Va Bien capped off a career that spanned over 40 years.

Price: 18.99 USD

Location: Portland, Oregon

End Time: 2024-08-06T19:43:01.000Z

Shipping Cost: 4.13 USD